![]() Kunstler, Auftraggeber, Produzenten, Wagner, Hoffmann, Loos und das Mobeldesign der Wiener Moderne (bohlau) pages 95 and 102 as shown. Historical background and literature: first designed for the Beck apartment in 1908, these chairs were subsequently utilized in many other projects by Loos until late 1920s. Small in dimensions as they were intended to be used as side chairs, it measures 28.2"h x 14.5"w x 20"d with a seat height of 15.2". ![]() This may be original or at least a mindful historical replacement to accentuate the heart-shaped seats. ![]() The upholstery on these chairs is of a jacquard-like textile in rose red color with lace fringe. The design is simple yet sophisticated and manages to be functional yet visually interestingly from different angles. Constructed from solid oak, the chairs feature a carved heart-shape seat and a fan-shaped back distinguished by partially overlapping spindles that spray upwardly like a peacock tail. As part of the Vienna Secession movement, these chairs display modern silouette emerged from the beginning of the century, a design departure from tradition spearheaded by a group of artists and designers in Vienna including Gustav Klimt, Josef Hoffmann, Otto Wagner and Koloman Moser. It sold for an auction record price of $12,600.On offer is a rare original paired Fan-Back Chairs designed by Adolf Loos (1870-1933) circa 1908-20s. Each plate was double sided, with a colour design on one side and a black-and-white design on the other. On Swann Galleries auctioned the third volume in Moser’s three-volume series “Die Quelle,” containing 30 sumptuous decorations for flat surfaces, such as tapestries, wallpaper and fabrics, in the original portfolio. Stained glass window in The Steinhof Church by Koloman Moser (1868-1918). The building designed by Otto Wagner is considered one of the most important Art Nouveau churches in the world. Leopold, is the Roman Catholic oratory of the Steinhof Psychiatric Hospital in Vienna, Austria. The window is flanked with a pair of bronze angels in Jugendstil style, originally designed by Othmar Schimkowitz. Kirche am Steinhof, also called the Church of St. In the centre of the window is God the Father seated on a throne. On the reverse of the coin, the Koloman Moser stained glass window over the main entrance can be seen. One of Moser’s most prominent designs used in a building (The Steinhof Church) was selected as a main motif of one of the most famous euro collectors coins: the Austrian 100 euro Steinhof Church commemorative coin, minted on 9 November 2005. His design for the cover of one edition of the art journal was later plagiarized by well known street artist and designer, Shepard Fairey. This art journal paid great attention to design and was designed mainly by Moser, Gustav Klimt and Josef Hoffmann. Koloman was one of the designers for Austria’s leading art journal Ver Sacrum. The same year, he married Editha (Ditha) Mautner von Markhof, the daughter to one of Austria’s great industry fortunes. In 1907 Moser, due to internal conflicts and as his plans for reorganising the Werkstatte (to cope with financial problems) weren’t realised, withdrew from the Wiener Werkstätte. In 1904, he created the Apse mosaic and glass windows for the Kirche am Steinhof in Vienna. In 1905, together with the Klimt group, he separated from the Vienna Secession. In 1901/1902, he published a portfolio titled Die Quelle (“The Source”) of elegant graphic designs for such things as tapestries, fabrics, and wallpaper. In 1903, Moser and his colleague Josef Hoffmann founded Wiener Werkstatte, whose studios and artisans produced a number of aesthetically and functionally designed household goods, including glassware, flatware, silverware, and textiles. Pine forest in winter by Koloman Moser (1868-1918), 1907. Moser drew upon the clean lines and repetitive motifs of classical Greek and Roman art and architecture in reaction to the Baroque decadence of his turn-of-the-century Viennese surroundings. Koloman Moser was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstatte. During his life, Moser designed a wide array of art works – books and graphic works from postage stamps to magazine vignettes fashion stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture – to name a few of his interests.īorn in Vienna, he studied at the Wiener Akademie and the Kunstgewerbeschule, where he also taught from 1899. His designs in architecture, furniture, jewellery, graphics, and tapestries helped characterise the work of this era. House Koloman Moser Vienna – Steinfeldgasse No. ![]() Buried: 21-10-1918 Hietzing cemetery, Vienna, Austria.Profession: Painter, graphic, designer. ![]()
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